A Hebrew University study released just ahead of International Holocaust Remembrance Day has examined the different ways museums, memorials, and individuals around the world have had to change the way they commemorate the Holocaust this year, due to the ongoing coronavirus pandemic.
International Holocaust Remembrance Day takes place every year on January 27 and marks the anniversary of the liberation of Auschwitz. It is typically commemorated with hundreds of memorial events around the world, but the COVID-19 pandemic will make sizable gatherings impossible this year.
Dr. Tobias Ebbrecht-Hartmann and research student Tom Divon of the Hebrew University Communication and Journalism department studied the many ways individual museums and memorial sites have adapted the programs during the ongoing health crisis, with the goal of proposing relevant solutions to this challenge.
Dr. Ebbrecht-Hartmann published a paper in the peer-reviewed academic journal “Media, Culture, and Society” as part of the research. It revealed how educators have successfully leveraged new forms of Holocaust remembrance using social media tools.
The paper includes a series of memory-related hashtags in use on Twitter and Facebook, live Instagram stories from memorial sites and concentration camps as well as Zoom discussions with Holocaust survivors across the globe.
The transition to social media was described by the author as “particularly important because prior to corona, many memorials objected to such means of communication out of fear that it would ‘commercialize’ or even distort legitimate Holocaust memory,” Hebrew University said in a statement.
Data and feedback from 32 Holocaust museums and monuments in nine different countries has been compiled with the goal of better understanding which digital platforms have been used most effectively and were best received by a virtual audience.
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SubscribeThe research has so far indicated that educators and museum curators have strived to adapt content to be better absorbed via digital means and in so doing provided the motivation for relevant audiences to log on. Certain museums have opened Instagram and even TikTok accounts, produced online “digital challenges” while others have invested in virtual tours of their facilities.
“The onset of this global crisis has impacted our lives in many ways and indeed Holocaust remembrance is no exception,” Dr. Ebbrecht-Hartman said. “While we have already been experiencing a transition where forms of social media and digital content have been increasingly recognized as legitimate expressions of commemoration, the severe restrictions of corona both accelerated this process but also created a far more accepting culture for the role these media must play.”
These efforts represent a desire by Holocaust educators to make the history more relevant and accessible to the younger generations who are known to be less emotionally attached to the subject matter, the university statement said.
Initiatives described in the study include Yad Vashem’s broadcast of their annual commemoration via YouTube in addition to the traditional local television format. The museum also initiated a campaign where online users were invited to read the names of Holocaust victims and then upload them to social media accounts with relevant hashtags.
The directors of the monument site at the Mauthausen concentration camp in Austria had a similar approach. They encouraged the public to upload and share pictures or drawings relating to the liberation of the camp with the hashtag #Liberation1945. The monument later released a video clip compiling the images that were uploaded.
“Even while we are encouraged by these efforts, we know that the physical spaces where the Holocaust occurred will always remain sacred memorial sites,” said Dr. Ebbrecht-Hartmann, “We anticipate that future commemoration will be a continuation of physical trips to these sites but the historic impact of Corona has introduced a new reality whereby digital memorials and online efforts can be an integral component of Holocaust remembrance.”
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